Adrift in the Fluidium
Mark Alice Durant
Excerpt
Mr. Peanut’s Bottle Rocket
During the first five years of my life, my family lived in a veterans’
housing project consisting of a dozen or so barrack-like row houses
set up along the Mystic River outside of Boston. As a child, I
was not aware of the lack of privacy and general shabbiness of
these meager circumstances. My days were instead, as any childhood
on the banks of the River Mystic should be, full of wonder. I
was a fresh human being tentatively stepping into the world. I
remember my first rainbow, which seemed to set down with its pot-of-gold
promise in the fenced-off landfill on the east side of the projects.
I remember dreamily sitting upon my stuffed-animal version of
Lassie when she took a leap across the room. I remember flipping
over the icy bottoms of old snow that had crusted on top of dead
grass—bringing my face close I could almost insert myself
within the glistening caverns and crystalline spires created by
snow melting and refreezing. The child’s imagination animates
the world, and the world, in gratitude, animates the child’s
soul in natural reciprocity, carving out the child’s internal
landscape as surely as the child’s external world expands
through curiosity.
I remember stealthily descending the cellar steps on my pajama-clad
bottom early one morning, before my parents were awake, to play
with my toys. “Good Morning,” a disembodied voice
called out to me—I froze halfway down the stairs, gaping
around the empty cellar. “Good Morning,” the words
echoed again, seemingly emanating from thin air. I ran howling
up the stairs, diving between my parents’ sleeping bodies.
“Someone said hello; something said hello,” was all
I could utter between my fearful sobs. “It was probably
just a human being,” croaked my mother, attempting reassurance.
To my parents’ befuddlement, my hysteria only increased.
The problem was that I had no idea what a “human being”
was, so that in my mind’s eye I conjured an enormous apple
with a top hat and cane, tap dancing while chanting “Good
Morning, Good Morning.” Maybe my subconscious had simply
redesigned the Mr. Peanut logo to instill a lifelong fear of anthropomorphized
food; nevertheless for weeks I avoided the cellar and the toys
it contained, making do with my Lassie who sometimes jumped across
the room.
The summer of my fourth year I witnessed my first shooting star
(or was it a bottle rocket?). I remember moping toward our front
door; I did not want to go inside and watch TV. It seemed as if
everyone from the projects was out-of-doors. There was revelry;
I smelled fire; the older kids scampered around playing kick-the-can
and stickball. I was holding my father’s hand, looking up
for the moon, when what seemed to be a fuzzy snowball with a sparkly
silvery tail shot across the dusk-darkened sky toward the river.
I tried to yell out but my voice was frozen; I tried to point
but one hand was caught in the paternal grip, the other thrust
deeply in a pocket. I knew I needed to make a wish, yet I was
overwhelmed by the responsibility. I could not sleep that night,
replaying the dazzling image and trying to invoke an appropriate
wish. It was taking so long that I began to fear that the promise
of a wish fulfilled would sour into a threat. Something would
happen to my parents, or there would be a terrible flood or fire.
The images of disaster proved more vivid than anything positive
or wonderful that I might have imagined. By dawn I simply wished
that we wouldn’t be killed. As it turned out, my wish was
granted.
Astronomers and Prophets
Celestial events and unexpected visits from peripatetic solar
objects have fueled cultural and individual imagination since
humans raised their heads to notice the dome above. Science and
superstition both begin in observation; what differentiates the
two is often just a matter of interpretation. Kidinnu was a Chaldean
astronomer and mathematician who lived c. 400 bce in the city
of Sippar (now called Abu Habbah), southwest of Baghdad. Among
his many lasting accomplishments, Kidinnu’s precise calculations
enabled him to work out the procession of equinoxes and to measure
the exact length of the synodic month (the period between two
full moons) to within a half-second of current measurements. In
Babylonian culture a lunar eclipse was understood to be an omen
portending war, famine, or plague; kings and peasants alike dreaded
their occurrence.
Despite Kidinnu’s accurate prediction of the patterns of
lunar eclipses, which laid the basis for later models of a mechanistic
universe, the Kings of Babylon remained fearful of their implications,
reading rare celestial events as symbols of calamity and “tokens
of doom.” Utilizing Kidinnu’s calculations, the king
would abdicate a short time before the predicted eclipse and appoint
an ineffectual figurehead until the darkened moon regained its
luminescence. Because the eclipse occurred during the poor substitute’s
watch, he would inevitably be put to death as an offering to the
gods and as a fulfillment of the phenomena’s promise. The
former king could then safely resume the throne. Despite the visionary
clarity Kidinnu contributed to natural philosophy (and the lives
of kings he saved), he is rarely noted among the pantheon of ancient
or modern astronomical greats such as Ptolemy, Hipparchus, Kepler
(who had a day job as an astrologer), Copernicus, Galileo, or
Brahe; he is instead remembered by the small crater on the dark
side of the moon that bears his name.
For millennia comets, those occasional and ostentatious visitors
to our solar system, have regularly but unpredictably barged into
our skies and in their shaggy beards have brought entire societies
to a hushed standstill. In his unprecedented text the Meteorologica
(c. 440 bce) Aristotle categorized comets according to their shape
and where they appeared in the zodiac. According to Aristotle
and generations of natural philosophers to come, comets were composed
of excess hot and dry “exhalations” that ascended
to the atmosphere and were, in effect, messages to humanity from
the earth itself. When the exhalations were particularly active,
an aster kometes, or “longhaired star,” appeared,
causing earthquakes, floods, tidal waves, and/or drought. Aristotle’s
contemporaries, Seneca and Pliny, disagreed with Aristotle’s
reading of cometary phenomena, observing instead that the arrival
of such dramatic objects was more likely part of a cosmic plan
and it was humanity’s duty to understand the celestial mechanism
orchestrating such events. Did the comet bring disaster, or was
it a divine sign that communicated either good or evil?
In the Middle Ages and early Renaissance, the reading of a comet’s
shape took on an iconographic complexity; swords, knives, brooms,
and hideous faces all foretold differing fortunes:
. . . When a Comet, or fiery Meteor, is Round, Cleare, Bright
and not Duskie at all, but lookes as it were, like another Sun;
it may signifie the Birth of Some Great Prince.
. . . If they be of a Pyramidall Figure, we shall then suffer
great Losses by Fire; and by way of Analogy, may conclude, of
some Tyranny approaching.
. . . If they beare the figure of a Sword, they presage Desolations,
which shall be caused by the Sword. . .
. . . If the Comet be figured like a Trumpet; is then also foretells
of War. . . 1
No less distinguished a scientist than Edward Halley (1656–1742),
of the eponymous Halley’s Comet, insisted that his powers
of observation granted him privilege as interpreter of heavenly
events. Halley was one of the first stargazers to understand that
comets were detritus of the solar system. Like planetary ne’er-do-wells,
comets consisted of random bits of stone and ice that never cohered
into anything more substantial. Despite the fact that Halley’s
observations established observable and provable theories of cometary
origin, Halley continued to affirm the ancient metaphysical concept
that comets were harbingers of calamity. Halley fervently believed
and publicly proclaimed, for example, that a comet crashing to
earth caused Noah’s biblical flood and was a sign of God’s
displeasure with his creations.
In the history of science Halley’s predictions of the comet’s
return were just as spectacular as the appearance of the object
itself. Paradoxically, with the legitimizing rigor of science
as his pulpit, Halley became an “authorized prophet”
of historical and mythical events, leading him to publicly clash
with the scientific, religious, and political authorities of his
time. It is assumed that advancing science and technology leads
to the extinguishing of the long-held beliefs and traditions of
the occult. But instead of drying up in the light of reason, the
empire of shadows adapts by darkening the edges of science, vignetting
well-lit places with ambiguity.
1:Sara J. Schechner, Comets, Popular Culture
and the Birth of Modern Cosmology, Princeton: Princeton University
Press,
1997, p. 60. Most of my discussion about comets in this essay
is informed by Schechner’s book.
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